Noema speaks about the essence of the perceived – about the way the world is processed in the mind. || The word derives from the Greek νόημα (noēma), literally meaning “thought”, “concept”, or “that which is thought”. In Husserl's phenomenological philosophy, the noema is the “intentional content” of an act of consciousness. It is not the thing itself, but the lived version we carry within us. || This series explores the threshold between structure and experience. What is seen intertwines with what is thought, as if the images were not merely determined forms, but traces of consciousness itself. In every constellation of lights there is not only matter, but also gesture: the record of how the mind encounters the world. || Emerging from this dialogue are images that evoke remnants and reflections of the past marked with undefined feelings. It can be read as a visualization of firing neurons, out of which subconscious associations spark – imprecise but emotionally charged. These may be deeply personal: memories, impressions, fleeting sensations. But they can also expand into something more universal, recalling blurred half-remembered masterpieces, pop-cultural references, or visions of the universe. || Noema thus refers to what is given in lived experience, to the pure sense that exists between a thing and its perception. The series becomes a visual meditation in which the experiences of the viewer, the artist, and the digital image intertwine into a single thread – between the experience, its image, and the thought that binds them.