We assume hyper-digitalization, the Anthropocene, and the automation of tasks
We accept the artificial intelligence entities and the arrival of humanoids and extraterrestrials (maybe ourselves)
chr2.INTRO
We admit the possibility of eternal life
We welcome the “virreality” proposed by the connection of biotechnology and technological reality layers
chr3.INTRO
We want to feed a global “intelectosphere” and to balance the Hertzian frequencies in between our brains and the Earth
We need to do T art as a meeting point of knowledge for an existent future
chr4.TRANS
We are in a period of transition from the biological separation of human needs as species and the biotechnological alteration of bodies
We accept the importance of nature as a crucial form of pure knowledge
chr5.TRANS
We agree with the possibility of abandoning this planet physically and metaphorically
We apply intellect to understand the process to raise a human-machine-earth consciousness
Decorative art is not in the transition to being a T artist
chr6.TRANS
Art must be trans-species, transhuman and transcriptive to be in balance with Earth frequencies and our universal neighbors
T art has to assume the condition of hybridization, from sexual, racial, or cultural aspects to biological, intellectual, and sensory
chr7.SCI/FAITH1
Science, thanks to its great ally, technology, emerges victorious in front of faith
We promote updated and emancipatory iconographies of the collective imaginary and the factual powers
We need to live a scientific truth rather than an ideological metaphor
chr8.SCI/FAITH2
T art helps us to understand the complexity of the macro scales through the understanding of the micro ones
We create art that celebrates and promotes evidence-based research, reason, and human curiosity, rather than unfounded dogmas and beliefs
chr9.SCI/FAITH3
We believe in an art moving away from egocentrism to avoid individual histories in a world of fake news
We connect collective intelligence to artificial one to avoid stupid intelligence
A T creates his own collective decentralized deities thanks to pure knowledge and logic
chr10.ECOS1
The first eco-nomies are those obtained from natural systems, or what we call agriculture
A T artist doesn’t believe in the ecos created for self-interest purposes
We believe the true power lies in understanding the environment (physical, digital, or hybrid)
chr11.ECOS2
We deny the connection between eco-logy and eco-nomy
T art responds to the conceptual interstices that stem from the confluence of economics, ecology, social ecosystems, eco-feminism, eco-anxiety, and eco-dependency
chr12.ECOS3
To be in harmony with the ecos is to be in frequency with the Earth
T art must be accepted as an eco in and of itself, bringing together all the available ecos- in our intellectual construction
T art is not affected by the centralized corporative eco-nomies
chr13.HUMANS1
We no longer inhabit the promised land, but we promise ourselves a better land
We have to be in the current intellectual climate to be T artists
A T artist vibrates in resonance with its Earth and the other ones to come
chr14.HUMANS2
Art provokes a global hyperconnection, a previsualization of the invisible, and a re-signification of the human, its challenges, questions, and answers
T art activates a new layer of thought in us since the machine takes care of the rest, to improve our consciousness
chr15.HUMANS3
As T and conceptual artists, we use technology, biology, astronomy, and any other sciences as the basic pigment for the construction of a new model of humanity
As T artists hear the frequencies of our environment to be compromised with the current human challenges